| From: eermih@dct.ac.uk |
| Someone recently requested this so here’s my version. Suggestions or |
| discussions welcomed. |
| Come On Eileen by Dexy’s Midnight Runners |
| -------------- -------------------------- |
| Actually written by Rowland, Patterson and Adams (voice, trombone |
| and banjo). Transcribed by MH from the 1982 album "Too-Rye-Ay". |
| * the version released as a single in the UK was preceded |
| by a few bars(measures) of a fiddle playing a traditional tune, |
| "Oh Believe Me If All Those Endearing Young Charms" |
| ** round brackets () denote BV (backing vocals) |
| *** during instrumental sections, bar divisions are marked | and |
| the main instrument is indicated in square brackets. |
| First* 16 bars are instrumental: |
| fiddle | |
| |F C |F Bb |Bb F |C | x2 | *** |
| fiddle and banjo | |
| |C |Em |F |C G | x2 |
| C | Em |
| Poor old Johnny | Ray |
| F | C | G | |
| Sounded | sad upon the radio moved a | million hearts in | mono |
| C |
| Our mothers cried |
| F | F | C | G |
| Sang along, | who’d blame them |
| C | Em |
| You’re grown (you’re grown up), | so grown (so grown up)** |
| F | C | G |
| Now I must say more than ever | (come on Eileen) |
| C | Em | F |
| Toora-loora- | toora-loo-rye- | aye |
| C | G | |
| and we can | sing just like our | fathers |
| brass section | |
| |G C G C |GGC G C |G GGGGGG| |
| D | F#m |
| Come on Eileen oh, I | swear (well he means) |
| Em | G | A | |
| at this | moment you mean | everything |
| D | F#m | |
| With | you in that dress, my | thoughts (I confess) |
| Em | G | A | |
| verge on | dirty, Ah come | on | Eileen |
| banjo | |
| |A |A | |
| fiddle and banjo | |
| |C |Em |F |C G | |
| C | Em |
| These people round | here |
| F | |
| wear beaten- | down eyes sunk in smoke-dried faces, |
| C | G | |
| so | resigned to what their | fate is |
| C | Em | |
| but | not us (no never) no | not us (no never) |
| F | C | G |
| we are far too young and clever | remember |
| C | Em | F |
| Toora-loora- | toora-loo-rye- | aye |
| C | G | |
| Eileen I’ll | hum this tune for | ever |
| brass section | |
| |G C G C |GGC G C |G GGGGGG| |
| D | F#m |
| Come on Eileen, oh I | swear (well he means) |
| Em | G | A | |
| Ah come | on let’s take off | everything |
| D | F#m | |
| That | pretty red dress, | Eileen (tell him yes) |
| Em | G | A | |
| Ah come | on let’s, ah come | on | Eileen |
| D | F#m | |
| That | pretty red dress, | Eileen (tell him yes) |
| Em | G | A | |
| Ah come | on let’s, ah come | on | Eileen |
| D |
| Please... |
| D | F#m |
| (Come on Eileen too-loo rye- | aye come on) |
| G | D | A | |
| (Eileen too-loo rye- | aye toora toora-too-loora) |
| Now you have grown, now you have shown, oh Eileen |
| D | F#m |
| Come on Eileen, these things they are real and I know |
| G | |
| how you feel | Now I must say more than ever |
| D | A |
| things round here have | changed |
| D | F#m | G | D | A |
| Too-ra loo-ra | too-ra loo-rye- | aye |
| ___________________________________________________________________ |
| Malcolm Hannah (eermih@dct.ac.uk) Dundee, Scotland |
| Source: http://tabs.ultimate-guitar.com/d/dexys_midnight_runners/come_on_eileen_crd.htm |