Castaways And Cutouts Album
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| This is a bunch of songs made by various users, put together to form the album |
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| Castaways and Cutouts. All credit is properly given. Without |
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| these users the tab would not be the same. Thank You! |
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| I have set the album up so that each song is assigned a roman numeral. To find |
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| the song that you want, just hit control z (or command z, but only if you have |
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| a Mac.) Then just type in the roman numeral. DO NOT FORGET TO PUT A PERIOD AFTER THE NUMERAL!!!! |
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| II. Here I Dreamt I Was an Architect |
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| VII. Grace Cathedral Hill |
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| VIII. The Legionnaire’s Lament |
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| X. California One/Youth and Beauty Brigade |
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| Intro: The Intro is a little confusing, if you want to get it right. The chords are |
| E | Cmaj7 | Asus2 |
| You | can play | this and still sound good. But if you want to be perfect, then you should |
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| know that the guitarist also, after the Asus2, plays all open strings once, and an Em |
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| chord once, then repeats the whole thing. The second time he does this, he doesn’t play |
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| the Em chord, and just goes right to E. |
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| This is kind of what it looks like. Listen to the song to get the rhythm perfectly. |
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| (* the v^v is to show downstrokes and upstrokes, if you were to continually move your |
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| hand up and down, even when not playing a note. I use it as a timing measurement.) |
| E | Cmaj7 | Asus2 | Em |
| e| | 0---0-00-00-0000 | |00000000 | - | 0000000| |
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| B|0---0-00-00-0000|00000000-0000000| |
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| G|1---1-11-11-1111|00000000-2222000| then repeat, with a few subtle changes. |
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| D|2---2-22-22-2222|22222222-2222002| |
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| A|2---2-22-22-2222|33333333-0000002| |
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| E|0---0-00-00-0000|00000000-0000000| |
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| * v^v^v^v^v^v^v^v^ v^v^v^v^v^v^v^v^ |
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| Please note: I left an open E string in the bass for the whole time because it is |
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| actually there. Its not a typo. This is reflected in the chords below as well. |
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| That’s also the guitar part for most of the whole song. |
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| Here’s the rest of the song: |
| E | Cmaj7 | Asus2 |
| My name is Leslie Anne Levine | | |
| E | Cmaj7 | Asus2 |
| My mother birthed me down a | dry | ravine |
| E | Cmaj7 | Asus2 |
| My mother birthed me | far too soon | |
| E | B | Asus2 |
| Born at nine and dead at | noon | |
| A | C#m |
| Fifteen years gone now, I still wander this | parapet |
| A |
| And shake my rattle bone | |
| A | C#m |
| Fifteen years gone now, I still cling to the | petticoats |
| C | B | E |
| Of the | girl who | died with | me |
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| On the roofs above the streets |
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| The only love I’ve known’s a chimney sweep |
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| Lost and lodged inside a flue |
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| Fifteen years gone now, I still wail from these catacombs |
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| And curse my mother’s name |
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| Fifteen years gone now, still a wastrel mesallied |
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| Has brought this fate on me |
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| My name is Leslie Anne Levine |
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| I’ve no one left to mourn for me |
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| My body lies inside its grave |
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| Fifteen years gone now, I still wander this parapet |
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| Fifteen years gone now, I still cling to the petticoats |
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| Of the girl who died with me |
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| That’s pretty much it. A great song by a great band. Email me if you have questions, |
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| comments, corrections, complaints, etc. |
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| II. Here I Dreamt I Was an Architect |
| Cmaj7 | D9sus2 | Cmaj7 | D9sus2 |
| And here I | dreamt I was a | soldier | |
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| And I marched the streets of Birkenau |
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| And I recall in spring the perfume that the air would bring |
| Cmaj7 | D9sus2 | Cmaj7 | D9sus2 | Cmaj7 | D9sus2 |
| To the | indolent town | | | | | |
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| Where the barkers called the moon down |
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| The carnival was ringing loudly now |
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| And just to lay with you theres nothing that I wouldnt do |
| Dsus2 | Cmaj7 |
| And try one, | and try two |
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| Guess it always comes down to |
| Cmaj7 | D9sus2 | Cmaj7 | D9sus2 | Cmaj7 | D9sus2 |
| Guess it | s | better to | turn | this way... |
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| And I am nothing of a builder |
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| But here I dreamt I was an architect |
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| And I built this balustrade to keep you home, to keep you safe |
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| But the angles and the corners |
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| Even though my work is unparalleled |
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| They never seemed to meet, the structure fell about our feet |
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| And try one, and try two, guess it always comes down to |
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| Alright, well okay, guess its better to turn this way... |
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| And here in Spain I am a Spaniard |
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| I will be buried with my marionettes |
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| Countess and courtesans will fall beneath my tender hand |
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| When their husbands are not around |
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| But you my soiled teenage girlfriend |
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| Though you are furrowed like a lioness |
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| And we are vagabonds, we travel without seatbelts on |
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| We live this close to death |
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| And try one, and try two, guess it always comes down to |
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| Alright, well okay, guess its better to turn this |
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| Well I won, and you lose, guess it always comes down to |
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| The alright, its okay, guess its better to turn this |
| Cmaj7 | D9sus2 | Cmaj7 | D9sus2 | Cmaj7 | D9sus2 |
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| B--3--1--0--------------| |
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| Cmaj7 G-----------2--0--| Cmaj7 |
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| D--0--0--0--0--0--------| |
| A | B | E | D |
| There is a | road that meets the | road that goes to | my house |
| A | B | E |
| and how the | green grows | there. |
| A | B | E | D |
| And we got | special boots that | beat the path to | my house |
| A | B | E |
| and it’s | careful, and it’s | careful when I’m | there. |
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| And I say your uncle was a crooked French Canadian |
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| and he was gunshot running gin |
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| and how his guts were all suspended in his fingers |
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| and how he held’em, how held’em, held’em in. |
PRE-CHORUS
| F#m | E |
| And the | water rolls down the | drain. |
| F#m | E |
| The | water rolls down the | drain. O what a |
| D | E |
| lonely thing! In a | lonely drain! |
| A | D | E |
| never | seemed so | strange |
| D | E |
| never | seemed so, never seemed so strange. |
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| This is the story of the road that goes to my house |
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| and what ghosts do there remain. |
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| And all the thoughts that run the length and breadth of my house |
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| and the chickens, how they rattle chicken chains. |
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| And we’ll remember this when we are old and ancient, |
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| though the specifics might be vague. |
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| And I’ll say your camisole was a sprightly light magenta |
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| when in fact it was a nappy bluish gray. |
| Dm/A | G/D |
| There’s a place your mother goes, when everybody else is soundly | sleeping |
| Dm |
| Through the lights of beacon street |
| G |
| And if you listen you can hear her | weeping, |
| A | Bb |
| She’s | weeping, cause the | gentlemen are calling |
| F |
| And the snow is softly falling on her | petticoats. |
| Bb |
| And she’s | standing in the harbour |
| F |
| And she’s waiting for the sailors in the | jolly boat. |
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| With dirty hands and trousers torn they grapple ’til she’s safe |
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| A gag is placed between her lips to keep her sorry tongue from |
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| any speaking, or screaming |
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| And they row her out to packets where the sailor’s sorry racket |
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| And she’s scarce above the gunales when her clothes fall to a |
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| bundle and she’s laid in bed on the upper deck |
| Gm | A | Gm | A |
| Interlude- | La la la la laa, | la la la laa | , | |
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| And so she goes from ship to ship, her ankles clasped, her arms |
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| ’Til at last she’s satisfied the lot of the marina’s teeming |
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| minions, in their opinions |
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| And they tell her not to say a thing to cousin, kindred, kith or |
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| kin or she’ll end up dead |
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| And they throw her thirty dollars and return her to the harbour |
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| where she goes to bed, and this is how your fed |
| Gm | A |
| So be kind to your mother, though she may | seem an awful bother, |
| Gm | A |
| and the | next time she tries to feed you collard | greens, |
| A | Dm |
| Remember what she does when you’re asleep | | |
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| Tabbed By: aflowerandagun |
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| The chord I called BaddF# is a (partially) barred B major played with the F# on the high |
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| string (9th fret). It looks like this: |
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| Strum that chord very slowly, accenting the F#. Watch the timing on some of them |
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| it can be tricky. Please rate! |
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| They’ve come to find you, Odalisque |
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| As the light dies horribly |
| A#m | A#m | D#m | G# |
| On a | | fire | escape you walk |
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| All rare and resolved to drop |
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| And when they find you, Odalisque |
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| They will rend you, terribly |
| A#m | A#m | D#m | G# |
| Stitch | from | stitch ’til all |
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| Your linen limbs will fall |
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| Lazy lady had a baby girl |
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| Raised on pradies, peanut shells and dirt |
| C# | D# |
| And | what do we do with ten baby shoes |
| B | C#m |
| A | kit bag full of marbles and a broken billiard cue? |
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| Fifteen stitches will mend those britches right |
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| And them rip them down again |
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| Sapling switches will rend those rags alright |
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| What a sweet sound it makes |
| C# | D# |
| And | what we do with ten dirty Jews |
| B | C#m |
| A | thirty-ought full of rock salt and a warm afternoon? |
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| Lay your belly under mine |
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| Such a filthy dimming shine |
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| The way you kick and scream, kick and scream |
| C# | D# |
| And | what do we with ten baby shoes |
| B | C#m |
| A | kit bag full of marbles and broken billiard cue? |
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| Lazy lady had a baby girl |
| G#m |
| And a sweet sound it made |
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| To play the verse riff, hold the chord formation while picking the melody on top: |
| Dmaj7 | Gmaj7 |
| ---------5----------- | --------------| |
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| -7---5-7---7-5-------3-------------| |
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| -6-------------7-----4-------------| |
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| -7-------------------4-------------| |
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| -5-------------------x-------------| |
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| ---------------------3-------------| |
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| Gmaj7 can also be conveniently played as: |
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| Another way to play the riff: |
| Dmaj7 | Gmaj7 |
| -2----------------- | ---------------| |
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| -2-----------------3--------------| |
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| -2------2----------4--------------| |
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| -0--2-4---4-2-0----4--------------| |
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| -------------------x--------------| |
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| -------------------3--------------| |
| Dmaj7 | Gmaj7 |
| this cocoon, caught in vesuvius’ | shadow |
| Dmaj7 |
| only the ashes | remain |
| Gmaj7 |
| and | I waited there for you |
| Dmaj7 | Gmaj7 |
| why couldn’t | you? | |
| Dmaj7 | Gmaj7 |
| here we lie waiting for something to | startle |
| Dmaj7 |
| to shake us from gravity’s | pull |
| Gmaj7 |
| and | so sleeping hours are through |
| Dmaj7 | Gmaj7 |
| what can we | do? | |
| Bm | Gmaj7 | Em7 |
| the | sorry conclusion, the | low dirty war, it | happened before you came to |
| Bm | Gmaj7 |
| but | this is solution, and | this is amends |
| Em7 |
| the | joke always tends to come true |
| C | Am | E |
| but | there on your windowsill | over the unmoving | platoon |
| C | Am | E |
| written in paperback, | view to the quarterback’s | room |
| D/F# | Dm/F | Em |
| this | quiet serves | only to | hide you |
| G | Gm | Dmaj7 | Gmaj7 |
| what I | knew, what | I knew, it’d come back to | you | |
| Dmaj7 | Gmaj7 |
| take | this palm, follow the lines here are written |
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| and script out the rest of your life |
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| and feel your fingers falling slack and all folding back |
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| the tainted election, the hole in the sky |
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| command what is tried, what is true |
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| but without solution, with feet on the ground |
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| it won’t make a sound ’til you’re through |
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| so loosen your shoulderblades |
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| this is your hour to make due |
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| because there on the timberline |
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| deep cold November shines through |
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| this quiet serves only to hide you |
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| what I knew, what I knew, it’d come back to you |
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| VII. Grace Cathedral Hill |
| G | Em |
| Grace Cathedral hill, all | wrapped in the |
| C |
| bones of a setting sun, all | dust and stone |
| D |
| and moribund. I paid | twenty-five cents to |
| D7 | G |
| light a | little white candle | for a New Year’s |
| Em |
| Day. I | sat and watched it burn away then |
| C |
| turned and weaved through the slow decay. |
| D | D7 |
| We were | both a little hungry so we | went |
| G | Em |
| to get a hotdog. | Down the Hyde St. Pier, the | light was slight and |
| C | D |
| dissapeared. The air | , it sunk of fish and beer. We | heard |
| D7 |
| a superman trumpet play the | National Anthem. |
| C | G | Em | C |
| And the world may | belong for | you, | but he’ll |
| G | Em | C | Cm |
| never | belong to | you. | But on a motorbike | , when |
| D | D7 |
| all the city lights | blind your eyes | tonight, are you |
| C | D | G | Em |
| feeling | better now? | .......Are you | feeling be...ttttter.. | nooooww. |
| C | Cm |
| Are you | feeling better now? | |
VERSE 2
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| Some way to greet the year: your eyes all |
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| bright and brimmed with tears. The |
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| pilgrims, pills and tourist here all sing |
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| "Fifty three bucks to buy a brand new halo." |
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| I’m sweet on a green-eyed girl, all fiery |
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| Irish clip and curl, all brine and piss and |
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| vinegar. I paid twenty-five vents to light a little white candle. |
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| And the world maybe be long for you, but he’ll |
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| never belong to you. But on a motorbike, when |
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| all the city lights blind your eyes, are you |
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| VIII. The Legionnaires Lament |
| Dm | F |
| I’m a | legionnaire, camel in | disrepair, |
| G | Bb | A |
| hoping for a | Frigidaire to come | passing | by. |
| Dm | F |
| I am | on reprieve, lacking my | joise de vivre, |
| G | Bb | A |
| missing my | gay Paree in this | desert | dry. |
| Dm | F |
| And I | wrote my girl, told her I | would not |
| G |
| return, I’ve terribly | taken a turn for the |
| Bb | A | Dm |
| worse now, I | fear. It’s been a | year or more |
| F |
| since they shipped me to this | foreign |
| G | Bb |
| shore, fighting in a | foreign, so far | away |
| F | C |
| If only some | rain would fall on the | house and |
| Gm |
| the boulevards and the | sidewalks bagatelles (it’s |
| Bb | F |
| like a | dream). With a | roar of cars and the |
| C | Gm |
| lolling of the cafe bars and the | sweetly sleeping |
| Bb | Bbm |
| sweeping of the | Seine. Lord, I | don’t know if I’ll |
| Bb | A |
| ever | be back again. La Da Dum Dum La Da Da Dum |
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| Medicating in the sun with pinch doses of |
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| laudanum, longing for the old fecundity of |
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| my homeland. Curses to this mirage! A |
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| bottle of ancient shiraz! The smattering of |
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| distant applause is ringing in my poor |
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| ears. On the old left bank, my baby in a |
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| charabanc, riding up the width and length |
| Bbm | F |
| ... Lord, I | don’t know if I’ll ever be back | again, |
| C | Gm | Bb |
| be back | again, be back | again, O be back | again. |
| Bb | Bbm |
| Oh | oh oh oh oh, la la la la, la la la la, oh oh oh oh |
| F | C | Gm | Bb | Bbm | Dm |
| IX. | | Clementine | | | |
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| Tabbed By: oneshotnothing |
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| this isn’t exact, so listen to the song. |
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| you can probably just leave your finger |
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| on the b string for the whole song, |
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| except for the A chord in the chorus. |
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| e--|------0---0-|--0---0---0-|------------|------0---0-| |
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| b--|3-------3---|------------|------------|------3-3-3-| |
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| g--|2-------2---|2---2---2---|0-----0---0-|2-------2---| |
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| d--|0-----------|4---2---0---|0-----0---0-|2-------2---| |
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| a--|0-----------|------------|2-------2---|0-----------| |
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| E--|------------|------------|3-----------|------------| |
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| ^ ^ ^ |^ ^ ^ |^ ^ ^ |^ ^ ^ | |
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| 1 2 3 |1 2 3 |1 2 3 |1 2 3 | |
| Bm | G | Em | A |
| X. | | California | One/ | Youth and Beauty Brigade |
VERSE 1
| D | Em |
| Take a long drive with | me |
| D |
| On California one, On California | one |
| Em |
| Take a long drive with me | |
| D |
| On California one, On California | one |
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| And the road a-winding goes |
| Gm | D |
| From golden | gate to roaring cliff-side | |
| Gm | D |
| And the light is softly low as our | hearts become sweetly untied | |
| C | G | D |
| Beneath the | sun | of California one | |
VERSE 2
| Em |
| Take a long dram with me | |
| D |
| Of California wine, of California wine | |
| Em |
| Take a long dram with me | |
| D |
| Of California wine, of California wine | |
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| And the wine it tastes so sweet |
| Gm | D |
| As we | lay our eyes to wander | |
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| And the sky, it stretches deep |
| Gm | D |
| Will we | rest our heads to slumber | |
| C |
| Beneath the | vines of California wine? |
| D | C | G | D |
| Beneath the | sun | of California One | |
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| Annabelle lies, sleeps with quiet eyes |
| G | Em | G | Em |
| On this | | sea-drift | sun | |
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| And if I said, O it’s in your head |
| G | Em | G | Em |
| On this | | sea-drift | sun | |
VERSE 1
| D |
| We’re calling all bed wetters and ambulance chasers |
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| Poor picker-pockets bring ’em in |
| D/F# | G | D |
| Come join the | youth and beauty brigade | |
| D/F# | G | D |
| Come join the | youth and beauty brigade | |
VERSE 2
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| We’re lining up the light-loafers |
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| And the bored bench warmers |
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| Castaways and cutouts, fill it up |
| D/F# | G | D |
| Come join the | youth and beauty brigade | |
| D/F# | G | D |
| Come join the | youth and beauty brigade | |
| Em | F#m | G |
| Nothing will | stand in our way | |
| A | D | G |
| I figured I had | paid my | debt to society | |
| F#m | Em | G |
| By | paying my overdue | fines at the | Multnomah County Library, at |
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| the library they said son, go join up |
| D | G | D |
| go join the | youth and beauty brigade | ’ |
| D/F# | G | D |
| Come join the | youth and beauty brigade | |
| D/F# | G | D |
| Come join the | youth and beauty brigade | |
| D/F# | G | D |
| Come join the | youth and beauty brigade | |
| Em | F#m | G |
| Nothing will | stand in our | way |
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| Source: http://tabs.ultimate-guitar.com/d/decemberists/castaways_and_cutouts_album_crd.htm |